After the first two verses of "Penicillin Penny," George retreats to his corner and wrenches out a quick, violent solo from behind his pedal steel station. Things are starting to get off track. The only thing I can say for sure is that whatever they were onâand in whatever combinationâthey were on a lot of it! Ya gotta love their music, a bunch of hippies having fun. He's differentiating himself from their behavior, making a public issue of their "germs," holding himself apart. I have seen Don't Look Back, Eat the Document, and No Direction Home. Then all of a sudden he screams, "DON'T GIVE ME NO CLAP! Grass and hash, laughed our drummer Travis when we watched it a year later. We've seen him previously, in fact we noticed him a couple times, and he made us distinctly uncomfortable. "Excuse us," Locorriere informs the film crew, "some of us are puking. Soon George's words are completely abstracted; it's all just agonized choking and sputtering. A strained case could be made I guess, but to make such a case would involve a kind of pretense that is the direct antithesis to the music of Dr. Hook, which is possibly the most unpretentious rock music ever recorded. As if to acknowledge this shift, the band alter their playing significantly. I suggest that the following is involved: Cannabis (lots) Alcohol (at least Dennis the guy w long hair on vok/git is getting more drunk during the first 4 songs and then sobers up a bit, if the alcohol is not just overrun by speed dropped at the same time) Speed in various forms, Cocaine, and at least a couple of them must have taken some acid, and various pills to help fine-adjusting each one to perfection... Was looking for behind the scenes stories, but found this blog, anyway, buy it folks and watch the whole show. They immediately speed the tempo up clumsily, and then almost as immediately slow the tempo back down. All throughout the show he hasn't laughed or smiled or even looked at anyone else in the band, and you get a sense that they might have even fought immediately before the taping. while Sawyer stands there stunned and gazing off into space, as if a massive shock just jolted through his body. You get the illusion instead that you're peering into two deep caves burrowed into the pale side of an ancient cliff, with overgrown black vines shrouding the cave on either side, and with a booming voice off in the distance, or maybe it's thunder, breaking against itself, or maybe the voice is coming from the miles and miles of endlessness deep inside, a voice of someone thousands of feet below the earth's surface, a damp, earthy voice, a voice like mud or like dirt or like black grease, intoning "Mmmmmboooooogieâ¦.". Just saw the entire Musikladen-concert (the first clip)that a friend gave me on dvd for christmas, and I thought "what the hell, Dr. His eyes, though, are hidden in deep shadow. George Cummings, the group's lead guitarist and pedal steel player, slowly walks from the high pedal steel station he's been hiding behind and proceeds to the front of the stage, his head lowered like an executioner. At the same moment, we notice that Locorriere has thrown off his electric guitar and is now standing directly behind bassist Jance Garfat. They bring a ten-thousand-ton wave of sheer joy, joy when all is lost, joy in music all by itself, in the act of playing music when there's no reason left to play it, joy in music stripped of any other motivation than as play. As with the giant pedal steel station he hides behind in his stage-left corner, the handkerchief is a barricade between him and the rest of the group. How many people were there? Cocaine, said the fourth group of people I forced to watch it. Doctor my dose. and immediately grabs the towel and throws it back, which prompts another thrown towel, and for a moment we watch this strange improvised game of Sawyer hurling fresh white towels into a darkness that hurls them back. Rock n' roll has always been synonymous with partying. Doctor my dose. Doctor my dose. "We have a new single that will be released any minute," Locorriere tells the Musikladen audience, "and we don't know it, but we're gonna play it anyway. I have seen the Maysles Brothers' documentary about the Rolling Stones, as well as Jean-Luc Godard's semi-documentary about the Rolling Stones and Robert Frank's notoriously unreleased documentary about the Rolling Stones, which legend has it you're only legally allowed to watch in the presence of both Jagger and Richards. The song chugs along funkily, a kind of Dr.-John-meets-Captain-Beefheart groove with an entertaining lead vocal cameo from the floppy, muppetlike Billy Francis. It will become more and more clear as the set goes on that the relationship between George Cummings and the rest of the band has recently come under some kind of strain.
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