They have one son. Arrested for the assault, tried and convicted, Townshend pleaded that it was no more than Thynne's just deserts, and while popular opinion sided with him, it was a death-knell for his social standing. Gwladys, Marchioness of Townshend. Only one other film, When East Meets West, however, was eventually made, assuming that she did not count the three 1914 films. London: J. Everybody concerned has worked hard to ensure success, and I hope that the new ones will be received as well as the earlier ones.”, “You find no difficulty in inventing original plots?”, “Is there such a thing as an original plot? They have one daughter. http://theesotericcuriosa.blogspot.com/2010/12/meet-marchioness-gladys-ethel-gwendolen.html : accessed 05 April 2020. Sources:'Interview with the Marchioness Townshend', Bioscope, 30 July 1914, p. 429. Lord Townshend died aged 93 on 23 April (St George's Day) 2010, having held his peerage for 89 years. Was Gwladys one of the relatives they visited on their big trip back to England? The Marquess had already travelled America and France with his accomplice Arthur C. ROBBINS looking for a wealthy wife; and they had finally found it in ‘the most beautiful woman in England’. Returning to the theme of British women filmmakers in the silent era, meet Gwladys, Marchioness of Townshend. Since discovering who Gwladys was, I have often wondered how close my ancestors were with her and how they perceived her. Sorry, your blog cannot share posts by email. Vol.1. The Marquis was forced to pay a fine to avoid prison, and he died at the end of the century with very little to his name, having given away most of his fortune . London: Unwin Brothers Limited, 1973. Nothing seems to have come of the six new ‘plays’ she was to have written for Clarendon, and so far as is known she had nothing further to do with the film business. Long Ltd., 1937. https://wfpp.columbia.edu/pioneer/ccp-gwladys-marchioness-of-townshend/ : accessed 05 April 2020. If I write of the doings of the people of the slums, I want them to look and behave like real slum people; just as when I bring in members of the aristocracy, I want them to look and behave like ladies and gentlemen. What I do know? In addition to these, Gwladys had produced a play Sir John and the Compriere in 1914, in London. She died on 27 January 1877. On 18 August 1825 she married John Townshend, later 4th Marquess Townshend. George John Patrick Dominic Townshend, 7th Marquess Townshend (13 May 1916 – 23 April 2010), styled Viscount Raynham until 1921, was a British peer and businessman. Nottingham: Univ. AAB. Pingback: More from the Marchioness « The Bioscope, Welcome to The Bioscope, a blog on early and silent cinema, with an emphasis on research. While Mayor, she traveled to the United States in 1929, to help the city of Lynn, Massachusetts celebrate its tercentenary. I have always taken a keen interest in the stage and have written many plays which have been produced for charitable purposes. Anne Townshend, Marchioness Townshend (c.1752 – 29 March 1819), formerly Anne Montgomery, was the second wife of George Townshend, 1st Marquess Townshend, previously Viscount Townshend.. She was the daughter of Sir William Montgomery, 1st Baronet (1717–1788), and his first wife, Hannah. People so often think their heart is broken, when it is only cracked. He was not discerning, however, and his bills, while sometimes well considered were at other times thought to be hopeless and even useless. Married John James Dudley Stuart, Marquis of Townshend 9 August 1905. Women Film Pioneers Project. Meet the Marchioness: Gladys Ethel Gwendolen Eugenie Sutherst, Marchioness Townshend. Like her aunt Sara Jane SUTHERST, my 2x great grandmother, Gwladys was a gifted writer. Another advantage is the extent of its appeal, for although the nature of that appeal is in some respects more restricted than that of the stage, and must necessarily be more simple, it reaches a far greater public, and if nothing can equal the power of human speech, on the other hand, nothing can equal the eloquent silence of the cinematograph.”, “Then you are not in favour of the speaking picture, Lady Townshend?”, “Not of the mechanical speaking picture. Terpstra, Mirte. She co-edited a fiction collection, True Ghost Stories (1936) and her autobiography, It Was, and It Wasn’t, was published in 1937. HL Deb (21 October 1937) vol. This film was reviewed in the Bioscope, but received less attention and therefore the Bioscope itself refers to The Convent Gate (1913) as Townshend’s third film. In her 1937 autobiography, It Was and It Wasn’t, Townshend writes that she also inspired two fellow peeresses to write scenarios, the Countesses of Warwick and Roden. Just before the joint trade show of The Love of an Actress, Wreck and Ruin, and The Family Solicitor in July 1914, Townshend revealed in the Bioscope interview that she had just signed another contract with Clarendon to write six more films. In Great Britain, Clarendon was certainly among the first companies to credit their writers, but the fact that Townshend was a peeress was undoubtedly the main reason that she was credited at all. Details. Gwladys, “the first peeress to write for the cinema”, was the scenarist of 8 silent films, all now lost. Townshend later remarried Bernard le Strange. She was regarded as the “high priestess” of historic garden design, best known for her triumphant restoration of the gardens at Hatfield House, the Cecil family’s Jacobean seat in Hertfordshire and her designs for the Prince of Wales’ gardens at Highgrove. The films for which she supplied stories were Behind the Scenes, The Convent Gate, The House of Mystery and A Strong Man’s Love, all made in 1913. In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. The humble British film industry was more than a little flattered when the Marchioness Townshend (1884-1959), born Gwladys Ethel Gwendolen Eugénie Sutherst, later Mrs Bernard Le Strange, agreed to provide scenarios for the Clarendon Film Company. Gwladys Ethel Gwendoline Eugenie SUTHERST was born in July 1882 to the barrister Thomas Charles SUTHERST and his first wife Sarah LONGTOFT. The Kinematograph and Lantern Weekly, however, commented that the film “tells quite a fascinating story,” but only when “admitting, for the purposes of the play, an hypothesis that is obviously inadmissible” (49). His education was at Harrow School, where he contracted a near-fatal case of septicaemia caused by a cricket injury.  He notably served as Chairman of Anglia Television from 1958 to 1986.  Townshend sat as a Conservative, attending debates irregularly until the passage of the House of Lords Act 1999.. London: Routledge, 2001. The marquess's 21st birthday in 1937 fell on the day after George VI's Coronation – and although some legal experts said that "coming of age" was achieved on the eve of the actual anniversary, the Lord Chancellor's Office decreed that Townshend could not be summoned to participate in the ceremonies as a peer because it was impossible for him to take his seat in the House of Lords in time. Gwladys’ marriage to the Marquess John James Dudley Stuart TOWNSHEND of Raynham Hall, Norfolk was shrouded by scandal and lawsuits. I find time to write a good many magazine articles, and have even contributed articles dealing with the cinematograph.”. Townshend was the only son of John Townshend, 6th Marquess Townshend, and Gwladys Ethel Gwendolen Eugenie Sutherst. Lady Clementina, to whom the tune title probably refers, died in 1925. An exception for scenarists in the early period of British cinema, Townshend was given full credit on all her scenarios. He was known in his time as a "liberal crank", who championed a number of humane causes "far in advance of his time," often for the welfare and protection of the poor. Composed by Aberdeenshire fiddler-composer Alexander Walker (b. Get the MegaPack collection now for this great price. http://bioscopic.wordpress.com/2007/06/09/interview-with-the-marchioness-townshend/. Thirdly, in 2004, he married Philippa Swire, mother of the Conservative MP Hugo Swire, who survives him. The Townshends have been seated at Raynham, between King's Lynn and Fakenham, since the 15th century, when Sir Roger Townshend was a judge of the Court of Common Pleas. Gwladys was the first author to be credited for her film writing, likely due to her peerage. A carte-de-visite portrait of Marchioness Townshend (1804-1877). I think the time is certainly coming when much more will be done in that direction, in which, at present, we are rather behind other countries. Marchioness of Townshend, Writer: The Love of an Actress. We can only speculate about the films with which she was involved, but her opinions are interesting. That is the kind of realism which appeals to the public and also has a certain educational influence.”, “You believe, then, in the educational value of the cinematograph?”, “Most decidely, and have always taken the greatest interest in that branch of the subject. She wrote an autobiography, It Was – and it Wasn’t (1937) and a collection, True Ghost Stories (1936), which was still in print in the 1990s. “Interview with the Marchioness Townshend.” The Bioscope: Reporting on the World of Early and Silent Cinema (9 June 2007): n.p. She remarried. Composed by Aberdeenshire fiddler-composer Alexander Walker (b. The Kinematograph Monthly Film Record confirms that she was an asset, writing in 1913 that “there is a distinct drawing power in a poster announcing the fact that a certain play is from her pen” (148). In the same interview, Townshend mentions that she had written “one or two costume plays” that remained unproduced because there was no interest in that genre. A countryman at heart despite the growing demands of business life, and proud of his descent from the great 18th-century agriculturalist, he was active in the running of the home farm and at his ease among his farming tenants and neighbours. Lady Townshend – who made a career as a writer of "scenarios" for the silent cinema and was sometimes described as the most beautiful woman in England – later wrote of a "curious kink" in the Townshend genes. My Cousin, the Marchioness Townshend Posted on April 5 by N.J. Sneddon Gwladys Ethel Gwendoline Eugenie SUTHERST was born in July 1882 to the barrister Thomas Charles SUTHERST and his first wife Sarah LONGTOFT. Did her father really buy the marriage for her? "Gwladys, Marchioness of Townshend." MARCHIONESS OF TOWNSHEND, THE. She died in 1877. Based in a former agricultural hall in Norwich, Anglia went on air for the first time in autumn 1959, serving homes from Peterborough to the east coast and later extending northwards to Lincolnshire and Humberside. Full text is unavailable for this digitized archive article. I think that youth has its chance in the film play, and it is better to build up a reputation as a film actor than to give an inadequate record even of a world-renowned success.”, “What do you consider the most suitable subjects for the film play?”, “As far as my own experience goes, I believe that the public requires melodrama, though not that class of melodrama which merely consists in piling up of impossible situations as a test of it’s [sic] author’s ingenuity in evolving a successful happy ending. 106. col. 1073. This interview with her, from The Bioscope in July 1914, hints at someone who had possibly turned to the lowly cinema through frustration at not getting her plays produced on the stage, but she was alert to the potential of the medium, and claims to have been inspired by early films of waves breaking on a sea coast, no less.
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